![]() ![]() Swinging a hammer at an enemy, only to have them quite literally explode in a shower of blood is immensely satisfying. ![]() The melee weapons in particular are fun to use. There’s a collection of normal automatic weapons that don’t feel particularly powerful, but just about everything else is what you’d consider a “power weapon”: multiple railguns, flame throwers, cryo-guns, and everything in between. There are a dizzying array of guns and melee weapons to butcher enemies with, most of which are intensely satisfying to use. It gives the game that extra stylistic oomph that it otherwise would be missing if a more traditional colour scheme won out, and it works brilliantly.Īt the end of the day, though, top-down games like this live and die on their mechanics. It’s such an uncommon choice to drive the look of the game and luckily it works magnificently. Everything is built around red – the text, the lighting, all of it. One of the most unique things about the game is its colour palette. Barring the fact that the narrative loses its focus a little at the very end, everything is flawless. The game is cyberpunk perfection, down to the tiniest details: the signage, the clothing, even the design of the enemies. The world that Reikon builds is incredible, twisted, and alive, and every chance you get to scrounge some more info on your surroundings are worth taking. And honestly, this is one of those rare games where the entries are actually worth reading in full. A lot horrifying ways of life are found throughout the game, and through its extensive lore entries and collectibles, you can read up on them in-depth. With the help of a mysterious hacker dubbed “Her”, you have to work your way through the bowels of cyber metropolis Rengkok, where life isn’t exactly good. In Ruiner, you play as a brutal killer with a digital mask on a quest to locate your missing brother. Sure, they’re both top-down shooters, but that’s pretty much where the similarities end. This may work to bring curious newcomers into the fold, but in the long run it does a disservice to the title. The game fits comfortably alongside the other types of games that the label likes to put its name on, and this is one outing that stands out among an already impressive portfolio.Īt its absolute most basic level, you could describe Ruiner as Hotline Miami with a cyberpunk skin. Ruiner marks the first title from Polish developer Reikon Games – and the latest release under Devolver Digital’s publishing initiative. ![]()
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December 2022
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